I wanted to title this post “Put a Bird on It” but figured an obscure Portlandia reference might be lost on the majority of readers (kind of a weird show, right?)
Anyway, I was cleaning up my iPhone camera roll last night and came across a photo of a Winslow Homer oil painting I snapped at the National Gallery a few months ago.
I was drawn to the moody, saturated colors–it’s hard to see but the duck’s eye is the most unexpected shade of Veuve Cliquot orange–a color I previously would never have thought to pair with sea greens and grays.
Ironically, I had happened to be looking at Manuel Canovas’ Sark wallpaper earlier in the day (it would be criminal if I didn’t take the opportunity to use this pun) and they are so obviously birds of a feather.
The wallpaper is even more fabulous in person and immediately reminded me of Marlien Rentmeester’s master bedroom decorated by Hillary Thomas which features the fabric version of Sark. Oh how my brain is a funny little decorating rabbit hole…
I think it goes without saying that I’m now eagerly seeking opportunities to ‘put a bird on it’.
Have a great weekend!
An original piece by abstract artist, Sally King Benedict, might be cost prohibitive for the art collector on your list, but luckily I’ve found a gift that I think they’ll enjoy almost as much.
Sally’s 2015 Calendar features 12 paintings which tear off into 5.5 x 7 post cards that can be mailed (or framed!) at the end of the month. Bonus!
I’m still kicking myself for not picking up one of her sweet little faces when I had the opportunity, but this calendar will definitely tide me over until I can have the real thing.
A weekend pinning spree led me to discover the artwork of Karin Olah. I was particularly taken with the mixed media abstract above in the most gorgeous shades of navy, chambray, and linen.
Moving on from Pinterest, I went straight into sale stalking and discovered this Demylee cashmere sweater that makes an all too perfect pair for the Karin Olah.
I’ll take both, thanks.
Large Seaweed 2 | Large Seaweed 3 | Large Seaweed 1
I was introduced to Jennifer Ament’s work a few years ago when I spotted a piece in a blogger’s home. Since then, I’ve been following her success and coveting a piece or two along the way.
Last night, I was browsing Serena & Lily’s art collection–which I happen to think is one of the most well curated on the web–and came across the series above. I’ll spare you the hyperbole, but love would not be an exaggeration to describe how I feel about them.
I found myself attempting to find a way to scrap our entire wedding registry and somehow explain that, yes, a toaster might be more practical, but I really can’t continue living without these pieces in our home. Sigh, the drama.
Aren’t they stunning?
Piggybacking off of last week’s Color Story post, I couldn’t resist sharing this somewhat random, but completely awesome discovery. Let me introduce you to 17th century Dutch artist, A. Boogert.
Arguably the original mix-master, Boogert’s magnum opus was an 800 page handwritten and painted guide to mixing watercolors. Consider it the 17th century equivalent to Pantone.
P.S you can view the entire book in high resolution here or in person at the Bibliothèque Méjanes in Aix-en-Provence, France.